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Northwestern Buffett Institute for Global Affairs

Eco-Cinema Across Borders: China-America Reel Ecology Project

A workshop participant examines a phytogram film reel in Shanghai.

A workshop participant examines a phytogram film reel in Shanghai.

With the support of a Buffett Global Collaboration Grant and two Buffett Undergraduate Research Fellows, filmmaker and anthropologist JP Sniadecki, Professor at Northwestern University’s School of Communication, has launched a cross-cultural initiative exploring sustainable approaches to analog and digital filmmaking called the China-America Reel Ecology Project. The project seeks to forge transcultural connections between filmmakers and students at Northwestern University in Evanston, USA and Tongji University in Shanghai, China.

Sniadecki, who co-led one of the Buffett Institute’s first Global Working Groups focused on Climate Crisis + Media Arts, has long worked at the intersection of film, ecology, and cultural exchange. He has been an active member of the Chinese documentarian community for decades and has created several films that explore collective experience and sensory ethnography in China. The China-America Reel Ecology Project builds on his previous work to reimagine filmmaking practices in a way that minimizes environmental impact and strengthens artistic and academic ties across international borders.

A Sustainable Vision for Film

Conventional analog filmmaking relies on chemical processing, which can be toxic to the environment and requires careful disposal. Similarly, digital filmmaking depends on precious metals and batteries that damage ecosystems through resource extraction, electronic waste, and pollution from manufacturing. Sniadecki and his collaborators set out to explore eco-processing techniques using non-toxic materials like tea, flowers, and vitamin C to develop 16mm film. By reviving analog filmmaking in an environmentally friendly way, the project critiques the digital filmmaking standard while fostering artistic expression in local Chinese communities.

A phytogram film reel hangs from a clothesline during the development process.

A phytogram film reel during the development process.

Expanding the Network: Beijing and Shanghai Workshops

The China-America Reel Ecology Project began with a series of workshops bringing together filmmakers, students, and grassroots artists in Beijing and Shanghai to experiment with sustainable film techniques. This event not only provided training in alternative processing methods but also created space for discussions about analog filmmaking in the digital age.

In Beijing, the China-America Reel Ecology Project welcomed over 35 participants for a workshop hosted in the artist village of Songzhuang. Led in partnership with filmmaker and activist Zhu Rikun, the session introduced participants to phytograms, a technique for creating images on film using only plant-based chemistry. By using local plants and natural materials to create motion pictures, participants explored how sustainable processing can reduce chemical waste while connecting filmmaking to the region’s ecology.

“We translated the phytogram recipe into Mandarin as well as context on the historical, material, chemical, and ecological development of celluloid that led up to the creation of the recipe,” said Sniadecki.

Participants in the Beijing workshop at the Songzhuang art village.

Participants in the Beijing workshop at the Songzhuang art village.

Sniadecki organized an additional workshop in Shanghai in collaboration with the Jilu Commune at Cloud Valley, a permaculture farm on the city’s outskirts. Participants learned about and engaged in similar eco-processing techniques and shared a vegan meal sourced from the farm’s produce, reinforcing the connection between their art and local ecology.

“The Buffett Institute’s support is enabling sustainable art practice and knowledge-sharing at Northwestern’s Evanston campus and locations abroad in China,” said Sniadecki. “It is also fostering a growing network of community members, artists, and scholars to engage with eco-cinema techniques and maintain communication with one another beyond the confines of the workshop.”

Participants in the Shanghai workshop gather at the Jilu Commune.

Participants in the Shanghai workshop gather at the Jilu commune.

These convenings emerged from an earlier phytogram workshop in August 2024. Organized by filmmakers Christina Nguyen, Assistant Professor of Instruction at Northwestern's School of Communication, and Tristen Ives, formerly Head Projectionist at Northwestern's Block Museum of Art, this workshop took place on Northwestern’s Evanston campus with support from an Earth Rising grant and the Buffett Institute’s Climate Crisis + Media Arts Global Working Group.

Nguyen emphasized the power of these workshops: “The beauty of phytography and camera-less filmmaking is the accessibility it offers to folks who may not know how to use a camera or have a thorough background in technical filmmaking. The participants can see the film transform in front of their eyes, making magic happen right in front of them. I think the most memorable moment was seeing the participants connect and share excitement over their collaborative film.”

Looking Ahead

Filmmakers will submit their original films produced during the 16mm workshops to festivals worldwide to demonstrate the potential of sustainable filmmaking. Plans are also underway to make the films available online and host community screenings for the films at academic institutions across the US and China.

Additionally, these works serve as curricular material for Sniadecki’s new global arts exchange course linking Northwestern students with peers at Tongji University in Shanghai. This collaborative course, led by Sniadecki and professor and filmmaker Li Xiaofeng, connects nine students from each institution to collectively explore the intersection of art and ecology. After meeting remotely during Spring Quarter 2025, the two cohorts will convene in Shanghai and collaborate in groups to produce original film projects.

More broadly, the China-America Reel Ecology Project seeks to inspire the next generation of filmmakers and media professionals to incorporate sustainability in their practice. At Northwestern, student Ashley Kim (Medill and Weinberg, ‘25) contributed to the project as a Buffett Undergraduate Research Fellow. She reflects, “I was interested in film arts, environmental sustainability and policy research, but it wasn't until working with JP Sniadecki that I saw these seemingly disparate interests intersect…In a political climate that places so much emphasis on US-China tensions, JP's focus on partnership through art is particularly meaningful and personally inspiring.”

 


 Northwestern undergraduates: Learn about the Buffett Undergraduate Research Fellowship Program, which provides opportunities for students to make substantive contributions to a global research project led by a faculty mentor.

Northwestern faculty: Learn about our grants for faculty to hire Buffett Undergraduate Research Fellows, advance work with international collaborators with a Buffett Global Collaboration Grant, or tackle a significant global problem in the interdisciplinary, collaborative context of a Buffett Global Working Group.

The Buffett Institute also offers a suite of opportunities and programming for Northwestern graduate students as well as an exciting lineup of symposia, book talks, and panel discussions for the public.